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\BOOKMARK [1][-]{section.1}{Uvod}{}% 1
\BOOKMARK [1][-]{section.2}{Teoreticni del}{}% 2
\BOOKMARK [2][-]{subsection.2.1}{Pojem celostna umetnina}{section.2}% 3
\BOOKMARK [3][-]{subsubsection.2.1.1}{V slikarstvu}{subsection.2.1}% 4
\BOOKMARK [3][-]{subsubsection.2.1.2}{V arhitekturi}{subsection.2.1}% 5
\BOOKMARK [3][-]{subsubsection.2.1.3}{Barok}{subsection.2.1}% 6
\BOOKMARK [3][-]{subsubsection.2.1.4}{Pojav celostne umetnine po svetu}{subsection.2.1}% 7
\BOOKMARK [2][-]{subsection.2.2}{O slovenski zgradbi parlamenta in o njenem arhitektu}{section.2}% 8
\BOOKMARK [3][-]{subsubsection.2.2.1}{Arhitekt}{subsection.2.2}% 9
\BOOKMARK [3][-]{subsubsection.2.2.2}{Zgodovina}{subsection.2.2}% 10
\BOOKMARK [1][-]{section.3}{Prakticni del}{}% 11
\BOOKMARK [2][-]{subsection.3.1}{Ogled dr\236avnega zbora}{section.3}% 12
\BOOKMARK [2][-]{subsection.3.2}{Anketa o umetni\235kih stali\235cih populacije}{section.3}% 13
\BOOKMARK [3][-]{subsubsection.3.2.1}{Hipoteze}{subsection.3.2}% 14
\BOOKMARK [3][-]{subsubsection.3.2.2}{Priprava anketnega formularja}{subsection.3.2}% 15
\BOOKMARK [3][-]{subsubsection.3.2.3}{Analiza pridobljenih rezultatov}{subsection.3.2}% 16
\BOOKMARK [1][-]{section.4}{Zakljucek}{}% 17
\BOOKMARK [1][-]{section.5}{Viri in literatura}{}% 18
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